Liam Neeson reunites with his Cold Pursuit co-star (and real-life son) Micheál Richardson for this breezy drama about a young man who, with the help of his father, attempts to fix up a neglected Tuscany house inherited from his late mother. The feature writing-directing debut of actor James D'Arcy (Dunkirk).
Renovations go badly, with father and son soon finding themselves at odds. Robert’s (Neeson) comical lack of DIY experience leads him to seek help from some colourful locals including the no nonsense Kate (Lindsay Duncan), an ex-pat making her living selling villas who quickly captures his attention.
As Robert and Jack painstakingly restore the villa to its previous glory, they also start to mend their relationship. The future may now look quite different and surprise them both.
Director: James D'Arcy (feature debut)
Writer: James D'Arcy
Cast: Liam Neeson, Lindsay Duncan, Micheál Richardson, Valeria Bilello
2020 M, Offensive language 94 mins UK, Italy
Our theatre is cosy and inviting. 2K Digital Projection with Dolby 5.1 Audio.
Our volunteers open the theatre doors and box office 30 minutes before the start time of each session.
Door sales if available from 30 minutes before the start of each session. If you want to check if seats are available phone 825 0023, from 30 minutes before the start of each session.
Due to our small capacity we recommend that reserves are made using the web reservation system as shown below.
There are no allocated seats. Arrive early to get the seat that's right for you from our eclectic collection of couches, reception and other chairs.
There is a cafe with juice, Bundaberg drinks, popcorn plus yummy food on sale. Most sessions are licensed with wine, cider and beer available.
Pay at the door by cash or EFTPOS.
The office is usually open Mondays to Fridays from 10am to 2pm for pre-purchase of tickets or to pay for reserves.
We accept online reserve requests up to about 1 pm on the day of screening– provided the session isn’t already full.
Online reserves are available for payment from 30 minutes before the start of a session to 15 minutes before the start.
From 15 minutes before the start they will be resold if the session is full.
Liam Neeson reunites with his Cold Pursuit co-star (and real-life son) Micheál Richardson for this breezy drama about a young man who, with the help of his father, attempts to fix up a neglected Tuscany house inherited from his late mother. M, Offensive language
I AM WOMAN is the story of Helen Reddy, who in 1966 landed in New York with her three-year-old daughter, a suitcase and $230 in her pocket. Within weeks she was broke. Within months she was in love. Within five years she was one of the biggest superstars of her time, and an icon of the 1970s feminist movement, who wrote a song which galvanised a generation of women to fight for change.
Tilda Cobham-Hervey plays Australian musician and activist icon Helen Reddy. Co-stars Danielle Macdonald as journalist Lillian Roxon. This is the directorial debut of Unjoo Moon.
Director: Unjoo Moon (feature debut)
Writer: Emma Jensen
Cast: Tilda Cobham-Hervey, Danielle Macdonald, Evan Peters, Dusty Sorg, Matty Cardarople
2020 M, Drug use & offensive language 116 mins Australia
Our theatre is cosy and inviting. 2K Digital Projection with Dolby 5.1 Audio.
Our volunteers open the theatre doors and box office 30 minutes before the start time of each session.
Door sales if available from 30 minutes before the start of each session. If you want to check if seats are available phone 825 0023, from 30 minutes before the start of each session.
Due to our small capacity we recommend that reserves are made using the web reservation system as shown below.
There are no allocated seats. Arrive early to get the seat that's right for you from our eclectic collection of couches, reception and other chairs.
There is a cafe with juice, Bundaberg drinks, popcorn plus yummy food on sale. Most sessions are licensed with wine, cider and beer available.
Pay at the door by cash or EFTPOS.
The office is usually open Mondays to Fridays from 10am to 2pm for pre-purchase of tickets or to pay for reserves.
We accept online reserve requests up to about 1 pm on the day of screening– provided the session isn’t already full.
Online reserves are available for payment from 30 minutes before the start of a session to 15 minutes before the start.
From 15 minutes before the start they will be resold if the session is full.
Tilda Cobham-Hervey plays Australian musician and activist icon Helen Reddy. M, Drug use & offensive language 116 mins Australia
Norwegian adventure based on the true story of Roald Amundsen, the first man to arrive at the South Pole.
How could Roald Amundsen, an unknown man from impoverished Norway, become the greatest polar explorer the world has ever seen? The answer is not just found in one single expedition but in this dramatic and epic film about the life of a remarkable and fascinating man.
2019 125 mins | Norway, Sweden, Czech Republic | Norwegian and English with English subtitles | M Violence & content that may disturb
Our theatre is cosy and inviting. 2K Digital Projection with Dolby 5.1 Audio.
Our volunteers open the theatre doors and box office 30 minutes before the start time of each session.
Door sales if available from 30 minutes before the start of each session. If you want to check if seats are available phone 825 0023, from 30 minutes before the start of each session.
Due to our small capacity we recommend that reserves are made using the web reservation system as shown below.
There are no allocated seats. Arrive early to get the seat that's right for you from our eclectic collection of couches, reception and other chairs.
There is a cafe with juice, Bundaberg drinks, popcorn plus yummy food on sale. Most sessions are licensed with wine, cider and beer available.
Pay at the door by cash or EFTPOS.
The office is usually open Mondays to Fridays from 10am to 2pm for pre-purchase of tickets or to pay for reserves.
We accept online reserve requests up to about 1 pm on the day of screening– provided the session isn’t already full.
Online reserves are available for payment from 30 minutes before the start of a session to 15 minutes before the start.
From 15 minutes before the start they will be resold if the session is full.
Norwegian adventure based on the true story of Roald Amundsen, the first man to arrive at the South Pole. Norwegian and English with English subtitles. 125 mins M Violence & content that may disturb
Textile artist Anita Seddon’s latest exhibition combines past works and current inspiration in a celebration of over 20 years working with fabric and natural fibres.
The exhibition is also the culmination of a year in which Anita has made an effort to keep her creativity active and alive; both as a means of keeping in touch with the things she considers important and in recognition of the opportunities that 2020, despite being a disruptive year, has presented.
The works on display include old favourites and new creations. For Anita, each piece has a story, tied to a person or place. It means that she finds it hard to part with some of them, but for Anita, selling her pieces has never been the main goal.
“Each piece represents an idea that at some point or for some reason has blossomed in my head. The important thing is to get the idea out of my head and see it made real. There is great satisfaction in knowing I have completed what I set out to create,” says Anita.
A long-time resident of Raglan, Anita’s art can be found gracing the walls of many of the town’s homes and businesses. Although fabric is her main medium, Anita also integrates harakeke, found treasures and recycled materials into her art, in order to fully capture a scene, a moment or a mood.
The director of A Dog's Way Home helms this sequel to sleeper hit A Street Cat Named Bob, which was based on the true story of struggling busker James Bowen whose life started to turn for the better when he befriended a stray cat he named Bob. In the book A Gift from Bob, Bowen shared the story of his and Bob's final Christmas on the streets together.
James looks back at the last Christmas he and Bob spent scraping a living on the streets and how Bob helped him through one of his toughest times - providing strength, friendship, and inspiration. Ultimately teaching each other about the true meaning of the Christmas spirit along the way.
Director: Charles Martin Smith ('A Dog's Way Home')
Writer: Garry Jenkins
Cast: Luke Treadaway, Nina Wadia, Anna Wilson-Jones, Tim Plester
PG Coarse language, 92 mins, UK
Our theatre is cosy and inviting. 2K Digital Projection with Dolby 5.1 Audio.
Our volunteers open the theatre doors and box office 30 minutes before the start time of each session.
Door sales if available from 30 minutes before the start of each session. If you want to check if seats are available phone 825 0023, from 30 minutes before the start of each session.
Due to our small capacity we recommend that reserves are made using the web reservation system as shown below.
There are no allocated seats. Arrive early to get the seat that's right for you from our eclectic collection of couches, reception and other chairs.
There is a cafe with juice, Bundaberg drinks, popcorn plus yummy food on sale. Most sessions are licensed with wine, cider and beer available.
Pay at the door by cash or EFTPOS.
The office is usually open Mondays to Fridays from 10am to 2pm for pre-purchase of tickets or to pay for reserves.
We accept online reserve requests up to about 1 pm on the day of screening– provided the session isn’t already full.
Online reserves are available for payment from 30 minutes before the start of a session to 15 minutes before the start.
From 15 minutes before the start they will be resold if the session is full.
The director of A Dog's Way Home helms this sequel to sleeper hit A Street Cat Named Bob, which was based on the true story of struggling busker James Bowen whose life started to turn for the better when he befriended a stray cat he named Bob. PG Coarse language, 92 mins, UK
I AM WOMAN is the story of Helen Reddy, who in 1966 landed in New York with her three-year-old daughter, a suitcase and $230 in her pocket. Within weeks she was broke. Within months she was in love. Within five years she was one of the biggest superstars of her time, and an icon of the 1970s feminist movement, who wrote a song which galvanised a generation of women to fight for change.
Tilda Cobham-Hervey plays Australian musician and activist icon Helen Reddy. Co-stars Danielle Macdonald as journalist Lillian Roxon. This is the directorial debut of Unjoo Moon.
Director: Unjoo Moon (feature debut)
Writer: Emma Jensen
Cast: Tilda Cobham-Hervey, Danielle Macdonald, Evan Peters, Dusty Sorg, Matty Cardarople
2020 M, Drug use & offensive language 116 mins Australia
Our theatre is cosy and inviting. 2K Digital Projection with Dolby 5.1 Audio.
Our volunteers open the theatre doors and box office 30 minutes before the start time of each session.
Door sales if available from 30 minutes before the start of each session. If you want to check if seats are available phone 825 0023, from 30 minutes before the start of each session.
Due to our small capacity we recommend that reserves are made using the web reservation system as shown below.
There are no allocated seats. Arrive early to get the seat that's right for you from our eclectic collection of couches, reception and other chairs.
There is a cafe with juice, Bundaberg drinks, popcorn plus yummy food on sale. Most sessions are licensed with wine, cider and beer available.
Pay at the door by cash or EFTPOS.
The office is usually open Mondays to Fridays from 10am to 2pm for pre-purchase of tickets or to pay for reserves.
We accept online reserve requests up to about 1 pm on the day of screening– provided the session isn’t already full.
Online reserves are available for payment from 30 minutes before the start of a session to 15 minutes before the start.
From 15 minutes before the start they will be resold if the session is full.
Tilda Cobham-Hervey plays Australian musician and activist icon Helen Reddy. M, Drug use & offensive language 116 mins Australia
Textile artist Anita Seddon’s latest exhibition combines past works and current inspiration in a celebration of over 20 years working with fabric and natural fibres.
The exhibition is also the culmination of a year in which Anita has made an effort to keep her creativity active and alive; both as a means of keeping in touch with the things she considers important and in recognition of the opportunities that 2020, despite being a disruptive year, has presented.
The works on display include old favourites and new creations. For Anita, each piece has a story, tied to a person or place. It means that she finds it hard to part with some of them, but for Anita, selling her pieces has never been the main goal.
“Each piece represents an idea that at some point or for some reason has blossomed in my head. The important thing is to get the idea out of my head and see it made real. There is great satisfaction in knowing I have completed what I set out to create,” says Anita.
A long-time resident of Raglan, Anita’s art can be found gracing the walls of many of the town’s homes and businesses. Although fabric is her main medium, Anita also integrates harakeke, found treasures and recycled materials into her art, in order to fully capture a scene, a moment or a mood.
Liam Neeson reunites with his Cold Pursuit co-star (and real-life son) Micheál Richardson for this breezy drama about a young man who, with the help of his father, attempts to fix up a neglected Tuscany house inherited from his late mother. The feature writing-directing debut of actor James D'Arcy (Dunkirk).
Renovations go badly, with father and son soon finding themselves at odds. Robert’s (Neeson) comical lack of DIY experience leads him to seek help from some colourful locals including the no nonsense Kate (Lindsay Duncan), an ex-pat making her living selling villas who quickly captures his attention.
As Robert and Jack painstakingly restore the villa to its previous glory, they also start to mend their relationship. The future may now look quite different and surprise them both.
Director: James D'Arcy (feature debut)
Writer: James D'Arcy
Cast: Liam Neeson, Lindsay Duncan, Micheál Richardson, Valeria Bilello
2020 M, Offensive language 94 mins UK, Italy
Our theatre is cosy and inviting. 2K Digital Projection with Dolby 5.1 Audio.
Our volunteers open the theatre doors and box office 30 minutes before the start time of each session.
Door sales if available from 30 minutes before the start of each session. If you want to check if seats are available phone 825 0023, from 30 minutes before the start of each session.
Due to our small capacity we recommend that reserves are made using the web reservation system as shown below.
There are no allocated seats. Arrive early to get the seat that's right for you from our eclectic collection of couches, reception and other chairs.
There is a cafe with juice, Bundaberg drinks, popcorn plus yummy food on sale. Most sessions are licensed with wine, cider and beer available.
Pay at the door by cash or EFTPOS.
The office is usually open Mondays to Fridays from 10am to 2pm for pre-purchase of tickets or to pay for reserves.
We accept online reserve requests up to about 1 pm on the day of screening– provided the session isn’t already full.
Online reserves are available for payment from 30 minutes before the start of a session to 15 minutes before the start.
From 15 minutes before the start they will be resold if the session is full.
Liam Neeson reunites with his Cold Pursuit co-star (and real-life son) Micheál Richardson for this breezy drama about a young man who, with the help of his father, attempts to fix up a neglected Tuscany house inherited from his late mother. M, Offensive language
Throughout his storied four-decade career, Robby Naish has been a watersports pioneer, ushering once-niche activities like windsurfing, kiteboarding, stand-up paddleboarding, and foil surfing into the forefront of the global sports community, racking up 26 championship titles along the way. It is this lifelong quest to master all obstacles that led Naish to his latest undertaking. Oscar-nominated filmmaker Joe Berlinger travels the globe with legendary windsurfer and pioneering waterman Robby Naish, a 26-time world champion whose quest to master the world’s longest waves unexpectedly reveals his vulnerabilities as a competitor, mentor and father. THE LONGEST WAVE transcends the action sports genre by capturing obstacles outside of the legendary athlete’s professional life in an intimate, cinéma-vérité style, revealing Naish balancing the pursuit of excellence at sea with the demands of life’s complications on land.
Just weeks before his inaugural attempt at taming the longest wave, Naish suffered his first major injury: a near fatal hip fracture. With Robby also navigating a difficult divorce and financial tumult, his quest to return to the water takes on new meaning, as a volatile personal life and unwavering drive for professional performance escalate the already-high stakes Robby sets for himself. A personal story of drive, dedication, athletic conquest and self realization, Naish’s tale is emblematic of universal themes that touch on all aspects of life.
Director: Joe Berlinger
Producers: A Red Bull Media House Production in Association with Radical Media and Third Eye Motion Picture Company, Joe Berlinger, Philipp Manderla, Daniel T. Wilson
Featuring: Robby Naish, Kai Lenny, Laird Hamilton, Chuck Patterson, and Gerry Lopez
2019 Doc. Exempt 104 mins Walvis Bay- Namibia, Trujillo- Peru, Sylt- Germany, Pavones- Costa Rica
Our theatre is cosy and inviting. 2K Digital Projection with Dolby 5.1 Audio.
Our volunteers open the theatre doors and box office 30 minutes before the start time of each session.
Door sales if available from 30 minutes before the start of each session. If you want to check if seats are available phone 825 0023, from 30 minutes before the start of each session.
Due to our small capacity we recommend that reserves are made using the web reservation system as shown below.
There are no allocated seats. Arrive early to get the seat that's right for you from our eclectic collection of couches, reception and other chairs.
There is a cafe with juice, Bundaberg drinks, popcorn plus yummy food on sale. Most sessions are licensed with wine, cider and beer available.
Pay at the door by cash or EFTPOS.
The office is usually open Mondays to Fridays from 10am to 2pm for pre-purchase of tickets or to pay for reserves.
We accept online reserve requests up to about 1 pm on the day of screening– provided the session isn’t already full.
Online reserves are available for payment from 30 minutes before the start of a session to 15 minutes before the start.
From 15 minutes before the start they will be resold if the session is full.
THE LONGEST WAVE offers a rare glimpse into what motivates an athlete who has everything to lose to push his body and mind to the limit. With a mix of intimate interviews and high-octane state of the art action sequences, the film provides more than just sensational sports action; It’s a raw portrait of one of the world’s most accomplished athletes, diving deep into what exactly makes him the champion and man he is today.
Textile artist Anita Seddon’s latest exhibition combines past works and current inspiration in a celebration of over 20 years working with fabric and natural fibres.
The exhibition is also the culmination of a year in which Anita has made an effort to keep her creativity active and alive; both as a means of keeping in touch with the things she considers important and in recognition of the opportunities that 2020, despite being a disruptive year, has presented.
The works on display include old favourites and new creations. For Anita, each piece has a story, tied to a person or place. It means that she finds it hard to part with some of them, but for Anita, selling her pieces has never been the main goal.
“Each piece represents an idea that at some point or for some reason has blossomed in my head. The important thing is to get the idea out of my head and see it made real. There is great satisfaction in knowing I have completed what I set out to create,” says Anita.
A long-time resident of Raglan, Anita’s art can be found gracing the walls of many of the town’s homes and businesses. Although fabric is her main medium, Anita also integrates harakeke, found treasures and recycled materials into her art, in order to fully capture a scene, a moment or a mood.
Textile artist Anita Seddon’s latest exhibition combines past works and current inspiration in a celebration of over 20 years working with fabric and natural fibres.
The exhibition is also the culmination of a year in which Anita has made an effort to keep her creativity active and alive; both as a means of keeping in touch with the things she considers important and in recognition of the opportunities that 2020, despite being a disruptive year, has presented.
The works on display include old favourites and new creations. For Anita, each piece has a story, tied to a person or place. It means that she finds it hard to part with some of them, but for Anita, selling her pieces has never been the main goal.
“Each piece represents an idea that at some point or for some reason has blossomed in my head. The important thing is to get the idea out of my head and see it made real. There is great satisfaction in knowing I have completed what I set out to create,” says Anita.
A long-time resident of Raglan, Anita’s art can be found gracing the walls of many of the town’s homes and businesses. Although fabric is her main medium, Anita also integrates harakeke, found treasures and recycled materials into her art, in order to fully capture a scene, a moment or a mood.
Textile artist Anita Seddon’s latest exhibition combines past works and current inspiration in a celebration of over 20 years working with fabric and natural fibres.
The exhibition is also the culmination of a year in which Anita has made an effort to keep her creativity active and alive; both as a means of keeping in touch with the things she considers important and in recognition of the opportunities that 2020, despite being a disruptive year, has presented.
The works on display include old favourites and new creations. For Anita, each piece has a story, tied to a person or place. It means that she finds it hard to part with some of them, but for Anita, selling her pieces has never been the main goal.
“Each piece represents an idea that at some point or for some reason has blossomed in my head. The important thing is to get the idea out of my head and see it made real. There is great satisfaction in knowing I have completed what I set out to create,” says Anita.
A long-time resident of Raglan, Anita’s art can be found gracing the walls of many of the town’s homes and businesses. Although fabric is her main medium, Anita also integrates harakeke, found treasures and recycled materials into her art, in order to fully capture a scene, a moment or a mood.
Textile artist Anita Seddon’s latest exhibition combines past works and current inspiration in a celebration of over 20 years working with fabric and natural fibres.
The exhibition is also the culmination of a year in which Anita has made an effort to keep her creativity active and alive; both as a means of keeping in touch with the things she considers important and in recognition of the opportunities that 2020, despite being a disruptive year, has presented.
The works on display include old favourites and new creations. For Anita, each piece has a story, tied to a person or place. It means that she finds it hard to part with some of them, but for Anita, selling her pieces has never been the main goal.
“Each piece represents an idea that at some point or for some reason has blossomed in my head. The important thing is to get the idea out of my head and see it made real. There is great satisfaction in knowing I have completed what I set out to create,” says Anita.
A long-time resident of Raglan, Anita’s art can be found gracing the walls of many of the town’s homes and businesses. Although fabric is her main medium, Anita also integrates harakeke, found treasures and recycled materials into her art, in order to fully capture a scene, a moment or a mood.
Textile artist Anita Seddon’s latest exhibition combines past works and current inspiration in a celebration of over 20 years working with fabric and natural fibres.
The exhibition is also the culmination of a year in which Anita has made an effort to keep her creativity active and alive; both as a means of keeping in touch with the things she considers important and in recognition of the opportunities that 2020, despite being a disruptive year, has presented.
The works on display include old favourites and new creations. For Anita, each piece has a story, tied to a person or place. It means that she finds it hard to part with some of them, but for Anita, selling her pieces has never been the main goal.
“Each piece represents an idea that at some point or for some reason has blossomed in my head. The important thing is to get the idea out of my head and see it made real. There is great satisfaction in knowing I have completed what I set out to create,” says Anita.
A long-time resident of Raglan, Anita’s art can be found gracing the walls of many of the town’s homes and businesses. Although fabric is her main medium, Anita also integrates harakeke, found treasures and recycled materials into her art, in order to fully capture a scene, a moment or a mood.
Textile artist Anita Seddon’s latest exhibition combines past works and current inspiration in a celebration of over 20 years working with fabric and natural fibres.
The exhibition is also the culmination of a year in which Anita has made an effort to keep her creativity active and alive; both as a means of keeping in touch with the things she considers important and in recognition of the opportunities that 2020, despite being a disruptive year, has presented.
The works on display include old favourites and new creations. For Anita, each piece has a story, tied to a person or place. It means that she finds it hard to part with some of them, but for Anita, selling her pieces has never been the main goal.
“Each piece represents an idea that at some point or for some reason has blossomed in my head. The important thing is to get the idea out of my head and see it made real. There is great satisfaction in knowing I have completed what I set out to create,” says Anita.
A long-time resident of Raglan, Anita’s art can be found gracing the walls of many of the town’s homes and businesses. Although fabric is her main medium, Anita also integrates harakeke, found treasures and recycled materials into her art, in order to fully capture a scene, a moment or a mood.
Textile artist Anita Seddon’s latest exhibition combines past works and current inspiration in a celebration of over 20 years working with fabric and natural fibres.
The exhibition is also the culmination of a year in which Anita has made an effort to keep her creativity active and alive; both as a means of keeping in touch with the things she considers important and in recognition of the opportunities that 2020, despite being a disruptive year, has presented.
The works on display include old favourites and new creations. For Anita, each piece has a story, tied to a person or place. It means that she finds it hard to part with some of them, but for Anita, selling her pieces has never been the main goal.
“Each piece represents an idea that at some point or for some reason has blossomed in my head. The important thing is to get the idea out of my head and see it made real. There is great satisfaction in knowing I have completed what I set out to create,” says Anita.
A long-time resident of Raglan, Anita’s art can be found gracing the walls of many of the town’s homes and businesses. Although fabric is her main medium, Anita also integrates harakeke, found treasures and recycled materials into her art, in order to fully capture a scene, a moment or a mood.
Textile artist Anita Seddon’s latest exhibition combines past works and current inspiration in a celebration of over 20 years working with fabric and natural fibres.
The exhibition is also the culmination of a year in which Anita has made an effort to keep her creativity active and alive; both as a means of keeping in touch with the things she considers important and in recognition of the opportunities that 2020, despite being a disruptive year, has presented.
The works on display include old favourites and new creations. For Anita, each piece has a story, tied to a person or place. It means that she finds it hard to part with some of them, but for Anita, selling her pieces has never been the main goal.
“Each piece represents an idea that at some point or for some reason has blossomed in my head. The important thing is to get the idea out of my head and see it made real. There is great satisfaction in knowing I have completed what I set out to create,” says Anita.
A long-time resident of Raglan, Anita’s art can be found gracing the walls of many of the town’s homes and businesses. Although fabric is her main medium, Anita also integrates harakeke, found treasures and recycled materials into her art, in order to fully capture a scene, a moment or a mood.
Textile artist Anita Seddon’s latest exhibition combines past works and current inspiration in a celebration of over 20 years working with fabric and natural fibres.
The exhibition is also the culmination of a year in which Anita has made an effort to keep her creativity active and alive; both as a means of keeping in touch with the things she considers important and in recognition of the opportunities that 2020, despite being a disruptive year, has presented.
The works on display include old favourites and new creations. For Anita, each piece has a story, tied to a person or place. It means that she finds it hard to part with some of them, but for Anita, selling her pieces has never been the main goal.
“Each piece represents an idea that at some point or for some reason has blossomed in my head. The important thing is to get the idea out of my head and see it made real. There is great satisfaction in knowing I have completed what I set out to create,” says Anita.
A long-time resident of Raglan, Anita’s art can be found gracing the walls of many of the town’s homes and businesses. Although fabric is her main medium, Anita also integrates harakeke, found treasures and recycled materials into her art, in order to fully capture a scene, a moment or a mood.
Textile artist Anita Seddon’s latest exhibition combines past works and current inspiration in a celebration of over 20 years working with fabric and natural fibres.
The exhibition is also the culmination of a year in which Anita has made an effort to keep her creativity active and alive; both as a means of keeping in touch with the things she considers important and in recognition of the opportunities that 2020, despite being a disruptive year, has presented.
The works on display include old favourites and new creations. For Anita, each piece has a story, tied to a person or place. It means that she finds it hard to part with some of them, but for Anita, selling her pieces has never been the main goal.
“Each piece represents an idea that at some point or for some reason has blossomed in my head. The important thing is to get the idea out of my head and see it made real. There is great satisfaction in knowing I have completed what I set out to create,” says Anita.
A long-time resident of Raglan, Anita’s art can be found gracing the walls of many of the town’s homes and businesses. Although fabric is her main medium, Anita also integrates harakeke, found treasures and recycled materials into her art, in order to fully capture a scene, a moment or a mood.
Textile artist Anita Seddon’s latest exhibition combines past works and current inspiration in a celebration of over 20 years working with fabric and natural fibres.
The exhibition is also the culmination of a year in which Anita has made an effort to keep her creativity active and alive; both as a means of keeping in touch with the things she considers important and in recognition of the opportunities that 2020, despite being a disruptive year, has presented.
The works on display include old favourites and new creations. For Anita, each piece has a story, tied to a person or place. It means that she finds it hard to part with some of them, but for Anita, selling her pieces has never been the main goal.
“Each piece represents an idea that at some point or for some reason has blossomed in my head. The important thing is to get the idea out of my head and see it made real. There is great satisfaction in knowing I have completed what I set out to create,” says Anita.
A long-time resident of Raglan, Anita’s art can be found gracing the walls of many of the town’s homes and businesses. Although fabric is her main medium, Anita also integrates harakeke, found treasures and recycled materials into her art, in order to fully capture a scene, a moment or a mood.
Textile artist Anita Seddon’s latest exhibition combines past works and current inspiration in a celebration of over 20 years working with fabric and natural fibres.
The exhibition is also the culmination of a year in which Anita has made an effort to keep her creativity active and alive; both as a means of keeping in touch with the things she considers important and in recognition of the opportunities that 2020, despite being a disruptive year, has presented.
The works on display include old favourites and new creations. For Anita, each piece has a story, tied to a person or place. It means that she finds it hard to part with some of them, but for Anita, selling her pieces has never been the main goal.
“Each piece represents an idea that at some point or for some reason has blossomed in my head. The important thing is to get the idea out of my head and see it made real. There is great satisfaction in knowing I have completed what I set out to create,” says Anita.
A long-time resident of Raglan, Anita’s art can be found gracing the walls of many of the town’s homes and businesses. Although fabric is her main medium, Anita also integrates harakeke, found treasures and recycled materials into her art, in order to fully capture a scene, a moment or a mood.
Liam Neeson reunites with his Cold Pursuit co-star (and real-life son) Micheál Richardson for this breezy drama about a young man who, with the help of his father, attempts to fix up a neglected Tuscany house inherited from his late mother. The feature writing-directing debut of actor James D'Arcy (Dunkirk).
Renovations go badly, with father and son soon finding themselves at odds. Robert’s (Neeson) comical lack of DIY experience leads him to seek help from some colourful locals including the no nonsense Kate (Lindsay Duncan), an ex-pat making her living selling villas who quickly captures his attention.
As Robert and Jack painstakingly restore the villa to its previous glory, they also start to mend their relationship. The future may now look quite different and surprise them both.
Director: James D'Arcy (feature debut)
Writer: James D'Arcy
Cast: Liam Neeson, Lindsay Duncan, Micheál Richardson, Valeria Bilello
2020 M, Offensive language 94 mins UK, Italy
Our theatre is cosy and inviting. 2K Digital Projection with Dolby 5.1 Audio.
Our volunteers open the theatre doors and box office 30 minutes before the start time of each session.
Door sales if available from 30 minutes before the start of each session. If you want to check if seats are available phone 825 0023, from 30 minutes before the start of each session.
Due to our small capacity we recommend that reserves are made using the web reservation system as shown below.
There are no allocated seats. Arrive early to get the seat that's right for you from our eclectic collection of couches, reception and other chairs.
There is a cafe with juice, Bundaberg drinks, popcorn plus yummy food on sale. Most sessions are licensed with wine, cider and beer available.
Pay at the door by cash or EFTPOS.
The office is usually open Mondays to Fridays from 10am to 2pm for pre-purchase of tickets or to pay for reserves.
We accept online reserve requests up to about 1 pm on the day of screening– provided the session isn’t already full.
Online reserves are available for payment from 30 minutes before the start of a session to 15 minutes before the start.
From 15 minutes before the start they will be resold if the session is full.
Liam Neeson reunites with his Cold Pursuit co-star (and real-life son) Micheál Richardson for this breezy drama about a young man who, with the help of his father, attempts to fix up a neglected Tuscany house inherited from his late mother. M, Offensive language
Textile artist Anita Seddon’s latest exhibition combines past works and current inspiration in a celebration of over 20 years working with fabric and natural fibres.
The exhibition is also the culmination of a year in which Anita has made an effort to keep her creativity active and alive; both as a means of keeping in touch with the things she considers important and in recognition of the opportunities that 2020, despite being a disruptive year, has presented.
The works on display include old favourites and new creations. For Anita, each piece has a story, tied to a person or place. It means that she finds it hard to part with some of them, but for Anita, selling her pieces has never been the main goal.
“Each piece represents an idea that at some point or for some reason has blossomed in my head. The important thing is to get the idea out of my head and see it made real. There is great satisfaction in knowing I have completed what I set out to create,” says Anita.
A long-time resident of Raglan, Anita’s art can be found gracing the walls of many of the town’s homes and businesses. Although fabric is her main medium, Anita also integrates harakeke, found treasures and recycled materials into her art, in order to fully capture a scene, a moment or a mood.
Norwegian adventure based on the true story of Roald Amundsen, the first man to arrive at the South Pole.
How could Roald Amundsen, an unknown man from impoverished Norway, become the greatest polar explorer the world has ever seen? The answer is not just found in one single expedition but in this dramatic and epic film about the life of a remarkable and fascinating man.
2019 125 mins | Norway, Sweden, Czech Republic | Norwegian and English with English subtitles | M Violence & content that may disturb
Our theatre is cosy and inviting. 2K Digital Projection with Dolby 5.1 Audio.
Our volunteers open the theatre doors and box office 30 minutes before the start time of each session.
Door sales if available from 30 minutes before the start of each session. If you want to check if seats are available phone 825 0023, from 30 minutes before the start of each session.
Due to our small capacity we recommend that reserves are made using the web reservation system as shown below.
There are no allocated seats. Arrive early to get the seat that's right for you from our eclectic collection of couches, reception and other chairs.
There is a cafe with juice, Bundaberg drinks, popcorn plus yummy food on sale. Most sessions are licensed with wine, cider and beer available.
Pay at the door by cash or EFTPOS.
The office is usually open Mondays to Fridays from 10am to 2pm for pre-purchase of tickets or to pay for reserves.
We accept online reserve requests up to about 1 pm on the day of screening– provided the session isn’t already full.
Online reserves are available for payment from 30 minutes before the start of a session to 15 minutes before the start.
From 15 minutes before the start they will be resold if the session is full.
Norwegian adventure based on the true story of Roald Amundsen, the first man to arrive at the South Pole. Norwegian and English with English subtitles. 125 mins M Violence & content that may disturb
“A Call to Spy is a compelling tale of extraordinary courage and bravery” The Times
Written by and starring Sarah Megan Thomas (Equity), this British World War II thriller follows Churchill's spy agency SOE who recruit civilian women and train them to be spies.
In the beginning of WWII, with Britain becoming desperate, Churchill orders his new
spy agency -- the Special Operations Executive (SOE) -- to recruit and train women
as spies.
Their daunting mission: conduct sabotage and build a resistance. SOE’s
“spymistress,” Vera Atkins (Stana Katic), recruits two unusual candidates: Virginia
Hall (Sarah Megan Thomas), an ambitious American with a wooden leg, and Noor
Inayat Khan (Radhika Atpe), a Muslim pacifist. Together, these women help to
undermine the Nazi regime in France, leaving an unmistakable legacy in their wake.
INSPIRED BY TRUE STORIES, this is the untold story about the personal sacrifice
of courageous individuals who put their lives on the line to fight for freedom.
Featuring strong performances from Sarah Megan Thomas (Equity), Stana Katic (Castle) and Radhika Apte (The Wedding Guest).
Director: Lydia Dean Pilcher ('Radium Girls')
Writer: Sarah Megan Thomas
Cast: Stana Katic, Radhika Apte, Sarah Megan Thomas, Linus Roache
2020 M, Violence 124 mins UK
Our theatre is cosy and inviting. 2K Digital Projection with Dolby 5.1 Audio.
Our volunteers open the theatre doors and box office 30 minutes before the start time of each session.
Door sales if available from 30 minutes before the start of each session. If you want to check if seats are available phone 825 0023, from 30 minutes before the start of each session.
Due to our small capacity we recommend that reserves are made using the web reservation system as shown below.
There are no allocated seats. Arrive early to get the seat that's right for you from our eclectic collection of couches, reception and other chairs.
There is a cafe with juice, Bundaberg drinks, popcorn plus yummy food on sale. Most sessions are licensed with wine, cider and beer available.
Pay at the door by cash or EFTPOS.
The office is usually open Mondays to Fridays from 10am to 2pm for pre-purchase of tickets or to pay for reserves.
We accept online reserve requests up to about 1 pm on the day of screening– provided the session isn’t already full.
Online reserves are available for payment from 30 minutes before the start of a session to 15 minutes before the start.
From 15 minutes before the start they will be resold if the session is full.
Written by and starring Sarah Megan Thomas (Equity), this British World War II thriller follows Churchill's spy agency SOE who recruit civilian women and train them to be spies. M
Textile artist Anita Seddon’s latest exhibition combines past works and current inspiration in a celebration of over 20 years working with fabric and natural fibres.
The exhibition is also the culmination of a year in which Anita has made an effort to keep her creativity active and alive; both as a means of keeping in touch with the things she considers important and in recognition of the opportunities that 2020, despite being a disruptive year, has presented.
The works on display include old favourites and new creations. For Anita, each piece has a story, tied to a person or place. It means that she finds it hard to part with some of them, but for Anita, selling her pieces has never been the main goal.
“Each piece represents an idea that at some point or for some reason has blossomed in my head. The important thing is to get the idea out of my head and see it made real. There is great satisfaction in knowing I have completed what I set out to create,” says Anita.
A long-time resident of Raglan, Anita’s art can be found gracing the walls of many of the town’s homes and businesses. Although fabric is her main medium, Anita also integrates harakeke, found treasures and recycled materials into her art, in order to fully capture a scene, a moment or a mood.
“A Call to Spy is a compelling tale of extraordinary courage and bravery” The Times
Written by and starring Sarah Megan Thomas (Equity), this British World War II thriller follows Churchill's spy agency SOE who recruit civilian women and train them to be spies.
In the beginning of WWII, with Britain becoming desperate, Churchill orders his new
spy agency -- the Special Operations Executive (SOE) -- to recruit and train women
as spies.
Their daunting mission: conduct sabotage and build a resistance. SOE’s
“spymistress,” Vera Atkins (Stana Katic), recruits two unusual candidates: Virginia
Hall (Sarah Megan Thomas), an ambitious American with a wooden leg, and Noor
Inayat Khan (Radhika Atpe), a Muslim pacifist. Together, these women help to
undermine the Nazi regime in France, leaving an unmistakable legacy in their wake.
INSPIRED BY TRUE STORIES, this is the untold story about the personal sacrifice
of courageous individuals who put their lives on the line to fight for freedom.
Featuring strong performances from Sarah Megan Thomas (Equity), Stana Katic (Castle) and Radhika Apte (The Wedding Guest).
Director: Lydia Dean Pilcher ('Radium Girls')
Writer: Sarah Megan Thomas
Cast: Stana Katic, Radhika Apte, Sarah Megan Thomas, Linus Roache
2020 M, Violence 124 mins UK
Our theatre is cosy and inviting. 2K Digital Projection with Dolby 5.1 Audio.
Our volunteers open the theatre doors and box office 30 minutes before the start time of each session.
Door sales if available from 30 minutes before the start of each session. If you want to check if seats are available phone 825 0023, from 30 minutes before the start of each session.
Due to our small capacity we recommend that reserves are made using the web reservation system as shown below.
There are no allocated seats. Arrive early to get the seat that's right for you from our eclectic collection of couches, reception and other chairs.
There is a cafe with juice, Bundaberg drinks, popcorn plus yummy food on sale. Most sessions are licensed with wine, cider and beer available.
Pay at the door by cash or EFTPOS.
The office is usually open Mondays to Fridays from 10am to 2pm for pre-purchase of tickets or to pay for reserves.
We accept online reserve requests up to about 1 pm on the day of screening– provided the session isn’t already full.
Online reserves are available for payment from 30 minutes before the start of a session to 15 minutes before the start.
From 15 minutes before the start they will be resold if the session is full.
Written by and starring Sarah Megan Thomas (Equity), this British World War II thriller follows Churchill's spy agency SOE who recruit civilian women and train them to be spies. M
Throughout his storied four-decade career, Robby Naish has been a watersports pioneer, ushering once-niche activities like windsurfing, kiteboarding, stand-up paddleboarding, and foil surfing into the forefront of the global sports community, racking up 26 championship titles along the way. It is this lifelong quest to master all obstacles that led Naish to his latest undertaking. Oscar-nominated filmmaker Joe Berlinger travels the globe with legendary windsurfer and pioneering waterman Robby Naish, a 26-time world champion whose quest to master the world’s longest waves unexpectedly reveals his vulnerabilities as a competitor, mentor and father. THE LONGEST WAVE transcends the action sports genre by capturing obstacles outside of the legendary athlete’s professional life in an intimate, cinéma-vérité style, revealing Naish balancing the pursuit of excellence at sea with the demands of life’s complications on land.
Just weeks before his inaugural attempt at taming the longest wave, Naish suffered his first major injury: a near fatal hip fracture. With Robby also navigating a difficult divorce and financial tumult, his quest to return to the water takes on new meaning, as a volatile personal life and unwavering drive for professional performance escalate the already-high stakes Robby sets for himself. A personal story of drive, dedication, athletic conquest and self realization, Naish’s tale is emblematic of universal themes that touch on all aspects of life.
Director: Joe Berlinger
Producers: A Red Bull Media House Production in Association with Radical Media and Third Eye Motion Picture Company, Joe Berlinger, Philipp Manderla, Daniel T. Wilson
Featuring: Robby Naish, Kai Lenny, Laird Hamilton, Chuck Patterson, and Gerry Lopez
2019 Doc. Exempt 104 mins Walvis Bay- Namibia, Trujillo- Peru, Sylt- Germany, Pavones- Costa Rica
Our theatre is cosy and inviting. 2K Digital Projection with Dolby 5.1 Audio.
Our volunteers open the theatre doors and box office 30 minutes before the start time of each session.
Door sales if available from 30 minutes before the start of each session. If you want to check if seats are available phone 825 0023, from 30 minutes before the start of each session.
Due to our small capacity we recommend that reserves are made using the web reservation system as shown below.
There are no allocated seats. Arrive early to get the seat that's right for you from our eclectic collection of couches, reception and other chairs.
There is a cafe with juice, Bundaberg drinks, popcorn plus yummy food on sale. Most sessions are licensed with wine, cider and beer available.
Pay at the door by cash or EFTPOS.
The office is usually open Mondays to Fridays from 10am to 2pm for pre-purchase of tickets or to pay for reserves.
We accept online reserve requests up to about 1 pm on the day of screening– provided the session isn’t already full.
Online reserves are available for payment from 30 minutes before the start of a session to 15 minutes before the start.
From 15 minutes before the start they will be resold if the session is full.
THE LONGEST WAVE offers a rare glimpse into what motivates an athlete who has everything to lose to push his body and mind to the limit. With a mix of intimate interviews and high-octane state of the art action sequences, the film provides more than just sensational sports action; It’s a raw portrait of one of the world’s most accomplished athletes, diving deep into what exactly makes him the champion and man he is today.
Textile artist Anita Seddon’s latest exhibition combines past works and current inspiration in a celebration of over 20 years working with fabric and natural fibres.
The exhibition is also the culmination of a year in which Anita has made an effort to keep her creativity active and alive; both as a means of keeping in touch with the things she considers important and in recognition of the opportunities that 2020, despite being a disruptive year, has presented.
The works on display include old favourites and new creations. For Anita, each piece has a story, tied to a person or place. It means that she finds it hard to part with some of them, but for Anita, selling her pieces has never been the main goal.
“Each piece represents an idea that at some point or for some reason has blossomed in my head. The important thing is to get the idea out of my head and see it made real. There is great satisfaction in knowing I have completed what I set out to create,” says Anita.
A long-time resident of Raglan, Anita’s art can be found gracing the walls of many of the town’s homes and businesses. Although fabric is her main medium, Anita also integrates harakeke, found treasures and recycled materials into her art, in order to fully capture a scene, a moment or a mood.
Textile artist Anita Seddon’s latest exhibition combines past works and current inspiration in a celebration of over 20 years working with fabric and natural fibres.
The exhibition is also the culmination of a year in which Anita has made an effort to keep her creativity active and alive; both as a means of keeping in touch with the things she considers important and in recognition of the opportunities that 2020, despite being a disruptive year, has presented.
The works on display include old favourites and new creations. For Anita, each piece has a story, tied to a person or place. It means that she finds it hard to part with some of them, but for Anita, selling her pieces has never been the main goal.
“Each piece represents an idea that at some point or for some reason has blossomed in my head. The important thing is to get the idea out of my head and see it made real. There is great satisfaction in knowing I have completed what I set out to create,” says Anita.
A long-time resident of Raglan, Anita’s art can be found gracing the walls of many of the town’s homes and businesses. Although fabric is her main medium, Anita also integrates harakeke, found treasures and recycled materials into her art, in order to fully capture a scene, a moment or a mood.
Textile artist Anita Seddon’s latest exhibition combines past works and current inspiration in a celebration of over 20 years working with fabric and natural fibres.
The exhibition is also the culmination of a year in which Anita has made an effort to keep her creativity active and alive; both as a means of keeping in touch with the things she considers important and in recognition of the opportunities that 2020, despite being a disruptive year, has presented.
The works on display include old favourites and new creations. For Anita, each piece has a story, tied to a person or place. It means that she finds it hard to part with some of them, but for Anita, selling her pieces has never been the main goal.
“Each piece represents an idea that at some point or for some reason has blossomed in my head. The important thing is to get the idea out of my head and see it made real. There is great satisfaction in knowing I have completed what I set out to create,” says Anita.
A long-time resident of Raglan, Anita’s art can be found gracing the walls of many of the town’s homes and businesses. Although fabric is her main medium, Anita also integrates harakeke, found treasures and recycled materials into her art, in order to fully capture a scene, a moment or a mood.
Textile artist Anita Seddon’s latest exhibition combines past works and current inspiration in a celebration of over 20 years working with fabric and natural fibres.
The exhibition is also the culmination of a year in which Anita has made an effort to keep her creativity active and alive; both as a means of keeping in touch with the things she considers important and in recognition of the opportunities that 2020, despite being a disruptive year, has presented.
The works on display include old favourites and new creations. For Anita, each piece has a story, tied to a person or place. It means that she finds it hard to part with some of them, but for Anita, selling her pieces has never been the main goal.
“Each piece represents an idea that at some point or for some reason has blossomed in my head. The important thing is to get the idea out of my head and see it made real. There is great satisfaction in knowing I have completed what I set out to create,” says Anita.
A long-time resident of Raglan, Anita’s art can be found gracing the walls of many of the town’s homes and businesses. Although fabric is her main medium, Anita also integrates harakeke, found treasures and recycled materials into her art, in order to fully capture a scene, a moment or a mood.
Expressing your Inner Creativity! New Year! New Normal! The Raglan Summer Arts School is designed for both beginners and experienced artists and artisans. It gives you the opportunity to learn new skills and refresh existing skills. Discover something new – about you, and your art!
NON-RESIDENTIAL: $400 for 4 days for Music or Weaving or Writing | $450 for Painting or Pottery.
SINGER-SONGWRITERS with David Parker and Ben Collier. Creating your own songs is a wonderful medium of self -expression. Find your inner voice and get creative. PAINTING / DRAWING with Doug Ford. Learn and play with your tutor in a passionate art exploration. WILD WRITING with Wanda Barker. For experienced writers as a refresher, and for beginners to kick off their process. WEAVING / RARANGA with Ruth Port. The primary techniques will be relevant for beginners and experienced weavers.
THE POTTERY WHEEL with Sarah Bing We’ll focus on mastering the basic forms.
Textile artist Anita Seddon’s latest exhibition combines past works and current inspiration in a celebration of over 20 years working with fabric and natural fibres.
The exhibition is also the culmination of a year in which Anita has made an effort to keep her creativity active and alive; both as a means of keeping in touch with the things she considers important and in recognition of the opportunities that 2020, despite being a disruptive year, has presented.
The works on display include old favourites and new creations. For Anita, each piece has a story, tied to a person or place. It means that she finds it hard to part with some of them, but for Anita, selling her pieces has never been the main goal.
“Each piece represents an idea that at some point or for some reason has blossomed in my head. The important thing is to get the idea out of my head and see it made real. There is great satisfaction in knowing I have completed what I set out to create,” says Anita.
A long-time resident of Raglan, Anita’s art can be found gracing the walls of many of the town’s homes and businesses. Although fabric is her main medium, Anita also integrates harakeke, found treasures and recycled materials into her art, in order to fully capture a scene, a moment or a mood.
Expressing your Inner Creativity! New Year! New Normal! The Raglan Summer Arts School is designed for both beginners and experienced artists and artisans. It gives you the opportunity to learn new skills and refresh existing skills. Discover something new – about you, and your art!
NON-RESIDENTIAL: $400 for 4 days for Music or Weaving or Writing | $450 for Painting or Pottery.
SINGER-SONGWRITERS with David Parker and Ben Collier. Creating your own songs is a wonderful medium of self -expression. Find your inner voice and get creative. PAINTING / DRAWING with Doug Ford. Learn and play with your tutor in a passionate art exploration. WILD WRITING with Wanda Barker. For experienced writers as a refresher, and for beginners to kick off their process. WEAVING / RARANGA with Ruth Port. The primary techniques will be relevant for beginners and experienced weavers.
THE POTTERY WHEEL with Sarah Bing We’ll focus on mastering the basic forms.
Textile artist Anita Seddon’s latest exhibition combines past works and current inspiration in a celebration of over 20 years working with fabric and natural fibres.
The exhibition is also the culmination of a year in which Anita has made an effort to keep her creativity active and alive; both as a means of keeping in touch with the things she considers important and in recognition of the opportunities that 2020, despite being a disruptive year, has presented.
The works on display include old favourites and new creations. For Anita, each piece has a story, tied to a person or place. It means that she finds it hard to part with some of them, but for Anita, selling her pieces has never been the main goal.
“Each piece represents an idea that at some point or for some reason has blossomed in my head. The important thing is to get the idea out of my head and see it made real. There is great satisfaction in knowing I have completed what I set out to create,” says Anita.
A long-time resident of Raglan, Anita’s art can be found gracing the walls of many of the town’s homes and businesses. Although fabric is her main medium, Anita also integrates harakeke, found treasures and recycled materials into her art, in order to fully capture a scene, a moment or a mood.
Expressing your Inner Creativity! New Year! New Normal! The Raglan Summer Arts School is designed for both beginners and experienced artists and artisans. It gives you the opportunity to learn new skills and refresh existing skills. Discover something new – about you, and your art!
NON-RESIDENTIAL: $400 for 4 days for Music or Weaving or Writing | $450 for Painting or Pottery.
SINGER-SONGWRITERS with David Parker and Ben Collier. Creating your own songs is a wonderful medium of self -expression. Find your inner voice and get creative. PAINTING / DRAWING with Doug Ford. Learn and play with your tutor in a passionate art exploration. WILD WRITING with Wanda Barker. For experienced writers as a refresher, and for beginners to kick off their process. WEAVING / RARANGA with Ruth Port. The primary techniques will be relevant for beginners and experienced weavers.
THE POTTERY WHEEL with Sarah Bing We’ll focus on mastering the basic forms.
Textile artist Anita Seddon’s latest exhibition combines past works and current inspiration in a celebration of over 20 years working with fabric and natural fibres.
The exhibition is also the culmination of a year in which Anita has made an effort to keep her creativity active and alive; both as a means of keeping in touch with the things she considers important and in recognition of the opportunities that 2020, despite being a disruptive year, has presented.
The works on display include old favourites and new creations. For Anita, each piece has a story, tied to a person or place. It means that she finds it hard to part with some of them, but for Anita, selling her pieces has never been the main goal.
“Each piece represents an idea that at some point or for some reason has blossomed in my head. The important thing is to get the idea out of my head and see it made real. There is great satisfaction in knowing I have completed what I set out to create,” says Anita.
A long-time resident of Raglan, Anita’s art can be found gracing the walls of many of the town’s homes and businesses. Although fabric is her main medium, Anita also integrates harakeke, found treasures and recycled materials into her art, in order to fully capture a scene, a moment or a mood.
Expressing your Inner Creativity! New Year! New Normal! The Raglan Summer Arts School is designed for both beginners and experienced artists and artisans. It gives you the opportunity to learn new skills and refresh existing skills. Discover something new – about you, and your art!
NON-RESIDENTIAL: $400 for 4 days for Music or Weaving or Writing | $450 for Painting or Pottery.
SINGER-SONGWRITERS with David Parker and Ben Collier. Creating your own songs is a wonderful medium of self -expression. Find your inner voice and get creative. PAINTING / DRAWING with Doug Ford. Learn and play with your tutor in a passionate art exploration. WILD WRITING with Wanda Barker. For experienced writers as a refresher, and for beginners to kick off their process. WEAVING / RARANGA with Ruth Port. The primary techniques will be relevant for beginners and experienced weavers.
THE POTTERY WHEEL with Sarah Bing We’ll focus on mastering the basic forms.
Textile artist Anita Seddon’s latest exhibition combines past works and current inspiration in a celebration of over 20 years working with fabric and natural fibres.
The exhibition is also the culmination of a year in which Anita has made an effort to keep her creativity active and alive; both as a means of keeping in touch with the things she considers important and in recognition of the opportunities that 2020, despite being a disruptive year, has presented.
The works on display include old favourites and new creations. For Anita, each piece has a story, tied to a person or place. It means that she finds it hard to part with some of them, but for Anita, selling her pieces has never been the main goal.
“Each piece represents an idea that at some point or for some reason has blossomed in my head. The important thing is to get the idea out of my head and see it made real. There is great satisfaction in knowing I have completed what I set out to create,” says Anita.
A long-time resident of Raglan, Anita’s art can be found gracing the walls of many of the town’s homes and businesses. Although fabric is her main medium, Anita also integrates harakeke, found treasures and recycled materials into her art, in order to fully capture a scene, a moment or a mood.
Textile artist Anita Seddon’s latest exhibition combines past works and current inspiration in a celebration of over 20 years working with fabric and natural fibres.
The exhibition is also the culmination of a year in which Anita has made an effort to keep her creativity active and alive; both as a means of keeping in touch with the things she considers important and in recognition of the opportunities that 2020, despite being a disruptive year, has presented.
The works on display include old favourites and new creations. For Anita, each piece has a story, tied to a person or place. It means that she finds it hard to part with some of them, but for Anita, selling her pieces has never been the main goal.
“Each piece represents an idea that at some point or for some reason has blossomed in my head. The important thing is to get the idea out of my head and see it made real. There is great satisfaction in knowing I have completed what I set out to create,” says Anita.
A long-time resident of Raglan, Anita’s art can be found gracing the walls of many of the town’s homes and businesses. Although fabric is her main medium, Anita also integrates harakeke, found treasures and recycled materials into her art, in order to fully capture a scene, a moment or a mood.
Textile artist Anita Seddon’s latest exhibition combines past works and current inspiration in a celebration of over 20 years working with fabric and natural fibres.
The exhibition is also the culmination of a year in which Anita has made an effort to keep her creativity active and alive; both as a means of keeping in touch with the things she considers important and in recognition of the opportunities that 2020, despite being a disruptive year, has presented.
The works on display include old favourites and new creations. For Anita, each piece has a story, tied to a person or place. It means that she finds it hard to part with some of them, but for Anita, selling her pieces has never been the main goal.
“Each piece represents an idea that at some point or for some reason has blossomed in my head. The important thing is to get the idea out of my head and see it made real. There is great satisfaction in knowing I have completed what I set out to create,” says Anita.
A long-time resident of Raglan, Anita’s art can be found gracing the walls of many of the town’s homes and businesses. Although fabric is her main medium, Anita also integrates harakeke, found treasures and recycled materials into her art, in order to fully capture a scene, a moment or a mood.
It's going to take saviour, a sinner, a SPIRITUAL BANANA to find out.
Dusting off the ashes of her Saturn return, Banana Jolie (Confessions of an Aerobics Instructor, Putting the G'Day in Cabaret, Australia's Got Talent Finalist) has escaped the Melbourne lockdown to bring her solo comedy cabaret, SPIRITUAL BANANA to Aotearoa.
Navigating crisis, imminent loss of her loved ones and living in the hypocrisy that is the instaglammed commercialisation of consciousness; SPIRITUAL BANANA is an existential exploration of faith, death, life and meaning with original music, physical comedy and whimsical witticisms.
This 50-minute "marathon of jaw-aching one-liners in song, rap, and break dancing, identifies honesty, integrity, and acceptance of the past and present "(Theatrepeople)
West coast wahine
Joana Simmons (Banana Jolie) was raised Catholic at an Anglican school. Her life as a performer, a yoga teacher and psychology and philosophy student allows her to contemplate the human experience and how we reach for meaning, or lack thereof....
Banana Jolie moved to Australia in 2010 and has established herself as a performing artist over the last 7 years. In it's first season, SPIRITUAL BANANA sold out The Butterfly Club (Melb), and has presented shows at Splore (2021), Woodford Folk Festiva (QLD), Splendour in the Grass (NSW), Melbourne International Comedy Festival, New Zealand Fringe (Putting the G'Day in Cabaret), Adelaide Fringe, Melbourne Fringe, The Village Festival, Falls Festival and Rainbow Serpent. She was a semi-finalist with “Miss Friby (and the Fribbles)” on Australia’s Got Talent.
"she's that good a comic"- Adelaide Advertiser
"so much talent in one human being"- Theatrereview
Spiritual Banana - a Comedy Cabaret show
"she's that good a comic"- Adelaide Advertiser
"so much talent in one human being"- Theatrereview
Banana Jolie (Confessions of an Aerobics Instructor, Putting the G'Day in Cabaret, Australia's Got Talent Finalist) brings her solo comedy cabaret, SPIRITUAL BANANA to Aotearoa.
